\u0628\u0648\u0627\u0633\u0637\u0629:\n Taha Shahdi Mohammad<\/a>\n <\/p>\n \n \n \n \n \n <\/i>\u062a\u0646\u0632\u064a\u0644 \u0643\u0644 \u0627\u0644\u062a\u0644\u0627\u0648\u0627\u062a\n <\/button>\n <\/div>\n\n \n \n 29th June 2015<\/p>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n\n \n \n \n \n \n <\/i><\/span>\n \n <\/i><\/span>\n \n \n <\/div>\n <\/div>\n <\/div>\n\n \n <\/i> \u062a\u0634\u063a\u064a\u0644 \u0627\u0644\u0643\u0644<\/a>\n \n \n <\/div>\n <\/div>\n <\/div>\n \n \n \n \n 1<\/div>\n \n \n <\/div>\n\n \n \n \n Al Fatihah \n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 00:58\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 78<\/div>\n \n \n <\/div>\n\n \n \n \n An-Naba' ( The Great News )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 79<\/div>\n \n \n <\/div>\n\n \n \n \n An-Nazi'at ( Those who Pull Out )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 80<\/div>\n \n \n <\/div>\n\n \n \n \n Abasa ( He frowned )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:48\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 81<\/div>\n \n \n <\/div>\n\n \n \n \n At-Takwir ( The Overthrowing )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:47\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 82<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Infitar ( The Cleaving )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:03\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 83<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Mutaffifin (Those Who Deal in Fraud)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:44\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 84<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Inshiqaq (The Splitting Asunder)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
29th June 2015<\/p>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div>\n\n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 00:58\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 78<\/div>\n \n \n <\/div>\n\n \n \n \n An-Naba' ( The Great News )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 79<\/div>\n \n \n <\/div>\n\n \n \n \n An-Nazi'at ( Those who Pull Out )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 80<\/div>\n \n \n <\/div>\n\n \n \n \n Abasa ( He frowned )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:48\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 81<\/div>\n \n \n <\/div>\n\n \n \n \n At-Takwir ( The Overthrowing )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:47\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 82<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Infitar ( The Cleaving )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:03\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 83<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Mutaffifin (Those Who Deal in Fraud)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:44\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 84<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Inshiqaq (The Splitting Asunder)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 79<\/div>\n \n \n <\/div>\n\n \n \n \n An-Nazi'at ( Those who Pull Out )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 80<\/div>\n \n \n <\/div>\n\n \n \n \n Abasa ( He frowned )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:48\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 81<\/div>\n \n \n <\/div>\n\n \n \n \n At-Takwir ( The Overthrowing )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:47\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 82<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Infitar ( The Cleaving )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:03\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 83<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Mutaffifin (Those Who Deal in Fraud)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:44\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 84<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Inshiqaq (The Splitting Asunder)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 80<\/div>\n \n \n <\/div>\n\n \n \n \n Abasa ( He frowned )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:48\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 81<\/div>\n \n \n <\/div>\n\n \n \n \n At-Takwir ( The Overthrowing )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:47\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 82<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Infitar ( The Cleaving )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:03\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 83<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Mutaffifin (Those Who Deal in Fraud)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:44\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 84<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Inshiqaq (The Splitting Asunder)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:48\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 81<\/div>\n \n \n <\/div>\n\n \n \n \n At-Takwir ( The Overthrowing )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:47\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 82<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Infitar ( The Cleaving )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:03\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 83<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Mutaffifin (Those Who Deal in Fraud)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:44\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 84<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Inshiqaq (The Splitting Asunder)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:47\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 82<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Infitar ( The Cleaving )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:03\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 83<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Mutaffifin (Those Who Deal in Fraud)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:44\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 84<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Inshiqaq (The Splitting Asunder)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:03\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 83<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Mutaffifin (Those Who Deal in Fraud)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:44\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 84<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Inshiqaq (The Splitting Asunder)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 04:44\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 84<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Inshiqaq (The Splitting Asunder)\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:32\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 85<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Burooj ( The Big Stars )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:01\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 86<\/div>\n \n \n <\/div>\n\n \n \n \n At-Tariq ( The Night-Comer )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:31\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 87<\/div>\n \n \n <\/div>\n\n \n \n \n Al-A'la ( The Most High )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 01:41\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 88<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Ghashiya ( The Overwhelming )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 02:12\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 89<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Fajr ( The Dawn )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n \n 03:22\n <\/div>\n \n \n <\/span>\n <\/span>\n <\/div>\n <\/div>\n <\/div>\n <\/li>\n \n \n 90<\/div>\n \n \n <\/div>\n\n \n \n \n Al-Balad ( The City )\n <\/a>\n <\/h6>\n \n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
\n Taha Shahdi Mohammad<\/a>\n <\/p>\n <\/div>\n \n \n <\/i>\n <\/span>\n \n
![\"\"](\"https:\/\/zekr.online\/uploads\/moshaf.jpg\"\n)
\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n